17-08-2021

The Industry Standard Noise Reducer “RX 7”


We will be taking a look at iZotope’s audio repair tool “RX 7” over the course of a few articles.
RX 7 helps get rid of unwanted noise in a recording, fixes distorted/clipping audio, and more at a level which would otherwise seem impossible without using this tool.
It is an incredibly high quality tool and is considered to be an industry standard.

Of course, recording a clean signal in a noise-free location would be ideal for most situations, but sometimes noise ends up making it on the recording and in many cases, you may not be able to rerecord.
You can bring your valuable recordings back to life using RX 7.

Nov 12, 2018 RX 7’s Repair Assistant provides automatic detection of problems in Dialogue, Music or ‘Other’ audio, providing you with three Module Chain setup options, with three processing strengths each. This makes it quicker to dial in a brief clean-up, but for more heavily soiled audio, the strongest options don’t go far enough. Ozone 9 Advanced iZotope. FX Collection Arturia. Top Preset Packs. Oliver: Power Tools Sample Pack 52 presets. Oliver: Power Tools Sample Pack II 44 presets. Future Soul 3 50 presets. DECAP - Drums That Knock Vol. Neo Tropical 15 presets. Sounds of KSHMR Vol.

In addition, ver 7 comes with the new Music Rebalance feature. You can break a mixed L/R track into parts and balance volume, mute, or even hear them in solo using this revolutionary feature.
We will look at this in detail later, as it is a unique function found in the RX 7.

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iZotope RX 7 Tutorial ① – Video Access


Opening Files

In this tutorial we will be using the standalone “audio editor” version of RX7.
When you open it, you’ll first see this file window.

You can choose to drag and drop a file or open a file.

IZotope RX 7 Standard Audio Restoration and Enhancement Software (Educational Edition, Download). IZotope RX 7 Advanced - Audio Restoration and Enhancement Software (Upgrade from RX 1-6 Advanced, Download) B&H # IZ70RX7ADVUA MFR #. IZotope RX 2 Help Documentation 10 Interface Here is a general overview of RX's main workspace. The De-ess audio plug-in and module in iZotope RX 7 attenuates or reduces sibilance, the harsh high-frequency sounds that come from S, F, X, SH, and a soft C. RX 7 includes two modes for handling sibilance: Classic and Spectral. Classic Mode detects sibilants and attenuates them with a broadband gain envelope.

We’ve opened the file as shown.
As you can see, we have purposefully chosen a sample that has clipping (digital distortion) in it for this example.
We will be using RX 7 to fix this issue.

Using Repair Assistant

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RX 7 comes with various modules displayed on the list to the right, but you may not know whats what on this list if its your first time seeing it.
But no worries, by using the Repair Assistant feature, AI will automatically detect the issues in the audio clip and select/apply various tools to it.

A pop up window will appear after clicking Repair Assistant, so select the appropriate audio type.

Dialogue refers to narration and conversation recordings, while Music refers to instrument, vocal, and other musical recording, and everything else falls into the Other category.
Press the Start Analysis button to begin analysis.

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When analysis is complete, you can compare the original to 3 repaired version options.

The strength of the repair effects can be adjusted in this preview mode as well. Lets try clicking on the fader mark below.

A strength preview will be created, and a slider will pop up allowing you to adjust the strength. Move this fader to adjust the strength of the repair effects.

We could go ahead in Render the audio here, but why don’t we look and see what kind of processing is being done here first.
By putting the cursor over A, B, or C, you can look at the module names included in its module chain.

To see in further detail, click the Open as Module Chain button below.

A pop up window will appear where you can see the details of the module chain.
By clicking on the fader marks, you can view/change the settings within an effect module.

Now that we took a look at the settings, lets render this audio.
Click on the Render button to begin rendering the audio.

Once the rending is complete, the effects will be visible on the new waveform, and repair history will be added below to History.

Each module setting is also recorded in History, allowing you to change the audio to any previous version in History.

Last, Save As to complete the audio editing process.
Though in this example we looked at using the Repair Assistant to get a basic fix of our audio, the potential of RX 7 goes above and beyond this. We will be looking at other modules in our following articles which allow you to edit sounds that RX 7 may not be able to intially pick up.

About Music Rebalance

Last but not least, we will take a look at Music Rebalance for this article.
Music Rebalance breaks a mix track into Vocal, Bass, Percussion, and Other and allows you to adjust each part.

Prepare a mix file with these instrument parts in it to utilize Music Rebalance.
Select Music Rebalance from the module list on the right.

A pop up window will appear, and we can make adjustments while playing using the preview button.

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  • ①Gain:Adjusts the volume of an individual part
  • ②Sensitivity:Raising it raises the clarity of analyzed signal from the source, but introduces sounds from other instrument parts. Lowering it creates more separation, but leads to more unnatural editing noise. The key is to find a balance of numerical amounts between other parts to get the best effect.

You can select algorithms for separation from Separation algorithm.

Under Separation algorithm, Channel independent allows you to run the fastest analysis of parts, but the separation quality will be lower. By going to Joint channel, Advanced joint channel, and so forth, the analysis quality increases but will run heavier on your computer.
Using advanced joint channel would be best when Rendering, but you may want to make adjustments when Previewing depending on your computer specs.

Click the Render button to complete setup and begin rendering.

This completes our first look at iZotope RX7 starting with a tutorial on Repair Assistant and Music Rebalance.
In our next video, we will be taking a look at some of the individual modules.


CATEGORY:
Mixing plugins

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Module & Plug-in

Overview

The De-click module’s sophisticated algorithm analyzes audio for amplitude irregularities and smoothes them out. This means that you can use De-click to remove a variety of short impulse noises, such as clicks caused by digital errors, mouth noises, and interference from cell phones.

Controls

  • ALGORITHM: Provides options for adjusting the configuration and processing quality of click interpolation, depending on the types of clicks and pops present in the audio.
    • SINGLE BAND: Processes quickly and works well on very narrow “digital” clicks
    • MULTI-BAND (PERIODIC CLICKS): Uses multi-band processing for removing regularly repeating clicks with a wider spectrum, or regular clicks that have concentrated low or high energy (like thumps or optical soundtrack perforation noise)
    • MULTI-BAND (RANDOM CLICKS): Uses multi-band processing for wider vinyl clicks and thumps, with a protective algorithm for preserving periodic audio elements characteristic to certain instruments such as brass or vocals
    • LOW LATENCY: Works well on mouth clicks and other clicks that cannot be handled by other algorithms. This mode has very low latency and is suitable for real-time work in RX De-click plug-in.
  • SENSITIVITY: Determines how many clicks are detected in the signal. Increasing sensitivity can impact plosives, which can in turn reduce or damage the original signal.
  • FREQUENCY SKEW: Adjusts the weighting of click removal toward higher or lower frequency clicks. Negative values are more suitable for generic clicks such as those found on vinyl recordings. A setting of zero or above targets mouth clicks in the middle frequencies.

    Note

    • Frequency skew is not available when using the Single Band Algorithm option.

  • CLICK WIDENING: Extends the repair area around detected clicks, compensating for mouth sounds such as lip smacks that have a decay.
  • OUTPUT CLICKS ONLY: Outputs the difference between the original and the processed signals (suppressed clicks).

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Instant Process Tool [Std & Adv]

The Instant Process Tool offers a smart De-click mode, which instantly applies the active settings from the De-click or Interpolate modules. Simply put, you may make any selection, and this mode will automatically remove all clicks present in that selection. This is particularly useful for editing a dialogue file, mismatching sample rate clicks and pops, and vinyl clicks.

If you’ve made a selection under 4000 samples in length, Instant Process will automatically use the Interpolate algorithm. Interpolate will fill the selection with audio information based on the surrounding audio.

For selections above 4000 samples, Instant Process will use the current settings of the De-click module. De-click is effective on selections above 4000 samples in size, identifying clicks in relation to desirable audio, and intelligently separating and removing the clicks.

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For example, if the De-click module is indicating that a preset named ‘Remove mouth clicks’ is loaded, these settings will be applied every time you use the Instant Process Tool in ‘De-click’ mode (on selections longer than 4000 samples).